Misconception: A great collection consists of paintings and sculpture.
Reason 3 | Prints provide an accessible entry point to build a comprehensive collection.
Prints are usually smaller in physical size and typically less expensive than paintings or sculpture by the same artist. If a collector is seeking a specific movement, or notable name, for their collection, prints increase the range of possibilities. First-time buyers may look to prints as an attainable option for obtaining an original work. Like other media, value is determined by rarity, technique, complexity and composition.
Misconception: Lower numbers within an edition are better than higher ones.
Reason 4 | Prints are highly collectible whether it’s the first of the edition or the last.
While edition size affects value, the specific number within the series does not. Lower does not equal better. This outdated idea, stemming from historical printmaking techniques, might have been true in the past when soft metals such as copper caused diminished imagery during the printing process but in today’s Contemporary Prints market it is not a factor. Additionally some editions are not even numbered in the order they were made, further proof of the point.
Misconception: A print without a number or signature has no value.
Reason 5 | Prints make Blue Chip art attainable at a variety of price points.
Even at the age of 92 Alex Katz signs all of his prints that are published by Lococo Fine Art, other artists are not as diligent. Even without a signature, or a specific number from within the edition, prints can fetch high prices or offer collectors a chance to purchase from top names. Available now at Russell are a variety of unsigned, unnumbered Andy Warhol silkscreens that include both the publisher’s and printer’s stamps. A signed Warhol screenprint at auction would realize over 100K.
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